Ryan was thrilled and humbled when Anthony Phelps, editor of The Painter's Journal, approached him, along with scenic artist Trish Green, with the hope of showcasing his design for Moliere's The Misanthrope in an issue of the quarterly magazine.
The concept of the production, directed by Steven Yakutis, relied heavily on reflected and distorted images and the design utilized several different styles of metallic material to achieve a realistic gold and silver leaf look of Neoclassical France, but a fraction of the cost.
After researching these materials and experiencing their results on The Misanthrope, they've become invaluable tools in Ryan's scenic artist handbag.