"The story is played out against beautifully rendered set pieces by Ryan McGettigan in a cartoon style that wittily turn two dimensions into three. The piano that Hagan showily "plays" and especially a giant three-part train are standouts, with the moody, old-fashioned atmosphere enhanced by Herrick Goldman's lighting and effects, plus lots of wispy smoke and fog." - Kathi Scrizzi Driscoll, Cape Cod Times